        On Thursday, November 7, I saw a performance of Baal, stimulate verbally by Bertolt Brecht and directed by Evan Parry. The play was not an ruttish play, just an intellectual play. It caused the viewer to think active the existentialist nature of Brechts writing and the underlying meaning of the play. Although I perk up studied existentialism and followed the play intently, I still could not fully understand what Brecht was trying to differentiate through Baal. My interpreting is that Baal represents man and his desires and what those desires can lead to.         At the beginning of the play, Baal is in good spirits and loved by all. He has doors move over to him; he is asked to publish his poetry and sing his songs at a bar. Through the play, his life piecemeal becomes worse because he drinks as well as some(prenominal) and has many girlfriends. People start to detest him and he loses his apartment. consequently more and more peopl e start to dislike him and he moves from job to job and location to location with nada but Ekart to see him through. But then he realizes that he is at last in love - with Ekart, but she doesnt love him and makes it manifest by having other men and women in her life. So, Baal kills her since he cant aim her for his own. By the end, Baal has nothing but himself to blame for his condition. His drinking puzzle and his trouble of seducing e rattling woman he meets drives him to his death, and causes everyone to repudiate him.         The performing ranged from not-so-great to very good. The only problem was that since not all the actors label were used, it was elusive to figure out who was who in most cases.         Baal, compete by Robert Seay, was in... If you want to get a full essay, prescribe it on our website: OrderCustomPaper.com
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